Audouze, F., 2002. Leroi-Gourhan, a Philosopher of Technique and Evolution. Journal of Archaeological Research 10, 277–306. https://doi.org/10.1023/A:1020599009172
Barceló, J.A., 2010. Visual Analysis in Archaeology. An Artificial Intelligence Approach, in: Elewa, A.M.T. (Ed.), Morphometrics for Nonmorphometricians. Springer, Berlin, Heidelberg, pp. 93–156. https://doi.org/10.1007/978-3-540-95853-6_5
Dobres, M.A., Preucel, R.W., Mrozowski, 2010. Technology’s links and chaînes. The processual unfolding of technique and technician, in: Contemporary Archaeology in Theory. The New Pragmatism. Wiley-Blackwell, Oxford, pp. 124–244.
Earl, G., 2013. Modelling in Archaeology: Computer Graphic and Other Digital Pasts. Perspectives on Science 21, 226–244.
Frischer, B., 2008. From digital illustration to digital heuristics, in: Dakouri-Hild, A., Frischer, B. (Eds.), Beyond Illustration: 2D and 3D Technologies as Tools for Discovery in Archaeology, BAR International Series 1805. Archaeopress, Oxford (GB).
Hermon, S., Nikodem, J., 2008. 4D modelling as a scientific research tool in archaeology, in: Posluschny, A., Lambers, K., Herzog, I. (Eds.), Layers of Perception. Proceedings of the 35th International Conference on Computer Applications and Quantitative Methods in Archaeology (CAA) (Berlin 2007). Dr. Rudolf Habelt GmbH., Bonn, pp. 140–146.
Hopkins, J.N., 2016. The Genesis of Roman Architecture. Yale University Press, New Haven Connecticut.
Huvila, I., 2012. The Unbearable Complexity of Documenting Intellectual Processes: Paradata and Virtual Cultural Heritage Visualisation. Human IT 12, 97–110.
Knappett, C., 2012. Materiality, in: Hodder, I. (Ed.), Archaeological Theory Today. Polity, Cambridge, pp. 188–207.
Lounsbury, C.R., 2018. Architecture and cultural history, in: Hicks, D., Beaudry, M.C. (Eds.), The Oxford Handbook of Material Culture Studies. Oxford University Press, Oxford-New York, pp. 484–501.
Lulof, P.S., Opgenhaffen, L., Sepers, M.H., 2013. The Art of Reconstruction: Documenting the process of 3D modeling: Some preliminary results, in: Proceedings of the 2013 Digital Heritage International
Congress (Marseille 2013). IEEE, New York, pp. 333–336. https://doi.org/10.1109/DigitalHeritage.2013.6744774
Noordegraaf, J., Opgenhaffen, L., Bakker, N., 2016. Cinema Parisien 3D: 3D visualisation as a tool for the history of cinemagoing. Alphaville: Journal of Film and Screen Media 45–61.
Nylander, C., 1986. Architettura etrusca nel Viterbese. Ricerche svedesi a San Giovenale e Acquarossa 1956-1986. De Luca Editore, Roma.
Opgenhaffen, L., Sepers, M.H., 2015. 3d modelling: crossing traditional boundaries between different research areas. The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5-W4, 411–414. https://doi.org/10.5194/isprsarchives-XL-5-W4-411-2015
Östenberg, C.E., 1975. Case etrusche di Acquarossa. Multigrafica, Roma.
Prayon, F., 1975. Frühetruskische Grab- und Hausarchitektur. Kerle, Heidelberg.
Roux, V., 2009. Technological Innovations and Developmental Trajectories: Social Factors as Evolutionary Forces, in: Innovation in Cultural Systems:
Contributions from Evolutionary Anthropology. The MIT Press, Cambridge.
Ryan, N., 2001. Documenting and validating Virtual Archaeology. Archeologia e Calcolatori 12, 245–273.
Rystedt, E., 1983. Early Etruscan akroteria from Acquarossa and Poggio Civitate (Murlo), Acquarossa. Distributor, P. Aström, Stockholm.
Wetter, E., Östenberg, C.E., Moretti, M., 1972. Med kungen på Acquarossa. Den arkeologiska utgravningen av en etruskisk stad. Allhem, Malmö.
Wikander, C., 1988. Acquarossa. Vol I, Part 2. The Painted Architectural Terracottas. Astrom, Stockholm.
Wikander, C., 1981. Acquarossa. Vol I, Part 1. The Painted Architectural Terracottas. Astrom Editions, Stockholm.
Wikander, O., 1986. Acquarossa: Vol. VI. The Roof Tiles, Part 1. Catalogue and Architectural Context. Astrom Editions, Göteborg.
Winter, N.A., 2009. Symbols of Wealth and Power: Architectural Terracotta Decoration in Etruria and Central Italy, 640-510 B.C. University of Michigan Press, Ann Arbor.