Albertini N., Baldini J., Taccola E., Barone V. 2017a, New Methods of Interaction in Virtual Reality for the Study of Archaeological Data, in The Asian Conference on Arts & Humanities. Official Conference Proceedings (Kobe 2017), Nagoya (Japan), The International Academic Forum, 101-111.
Albertini N., Barone V., Legnaioli S., Licari D., Taccola E., Brogni A. 2013, The Agora of Segesta in Immersive Virtual Environments, in Science and Technology for the Safeguard of Cultural Heritage in the Mediterranean Basin, Proceeding of the 6th International Congress (Athens 2013), Roma, Valmar, 299-304.
Albertini N., Brogni A., Caramiaux B., Gillies M., Olivito R., Taccola E. 2016, Natural gesture interaction in archaeological virtual environments: work in progress, in ARQUEOLÓGICA 2.0’, Proceedings of the 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation (Valencia 2016), Valencia, Universitat Politècnica de València,.
Albertini N., Brogni A., Olivito R., Taccola E., Caramiaux B., Gillies M. 2017b, Designing natural gesture interaction for archaeological data in immersive environments, «Virtual Archaeology Review», 8, 16, 12-21 (https://doi.org/10.4995/var.2017.5872).
Barceló J.A. 2001, Virtual reality for archaeological explanation. Beyond “picturesque” reconstruction, «Archeologia e Calcolatori», 12, 221-244 (http://www.archcalc.cnr.it/journal/id.php?id=324).
Cristofani M. 1973, Tombe ellenistiche nella necropoli del Portone (scavi1970), «Notizie degli Scavi di Antichità», 12, 246-272.
Fiumi E. 1977, La collezione di urne del Museo Guarnacci nel XVIII e XIX secolo, in Corpus delle Urne Volterrane 2.1, Firenze, Centro Di, 11-24.
Minto A. 1930, Le scoperte archeologiche nell’Agro volterrano dal 1897 al 1899, da appunti manoscritti di Gherardo Ghirardin, «Studi Etruschi», 4, 9-68 (https://www.studietruschi.org/a-minto-le-scoperte-archeologiche-nellagro-volterrana-dal-1897-al-1899-da-appunti-manoscritti-di-gherardo-ghirardini-tavv-i-iv-p-9/se04_01).
Olivito R., Taccola E., Albertini N. 2015, A hand-free solution for the interaction in an immersive virtual environment: the case of the agora of segesta, in S. Campana, R. Scopigno, G. Carpentiero, M. Cirillo (eds.), Keep the Revolution Going. CAA 2015. Computer Applications and Quantitative Methods in Archaeology, 321-328 (https://doi.org/10.5194/isprsarchives-XL-5-W4-31-2015).
Olivito R., Taccola E., Albertini N. 2016, Cultural Heritage and Digital Technologies. Theory, methods and tools for the study and dissemination of knowledge in the archaeological practice, in Digital Methods and Remote Sensing in Archaeology. Archaeology in the Age of Sensing, Cham, Springer International Publishing, 475-494.
Reilly P. 1991, Towards a virtual archaeology, in K. Lockyear, S.P.Q. Rahtz (eds.), Computer Applications and Quantitative Methods in Archaeology 1990, BAR, Tempus Reparatum, 133-140.
Remondino F., Campana S., Remondino F. (eds.) 2014, Photogrammetry: Theory, in 3D Recording and Modelling in Archaeology and Cultural Heritage: Theory and best practices: Theory and best practices, BAR international series 2598, Oxford, ArchaeoPress, 65-73 (10.30861/9781407312309).
Rosselli L. 2015, Tra tutela e valorizzazione: Ezio Solaini ispettore onorario di Volterra, «Quaderni del Laboratorio Universitario Volterrano», 17, 23-29.
Rosselli L. 2018, La necropoli delle Ripaie di Volterra. Le tombe di età ellenistica e romana, Pisa, Pisa University Press.
Rosselli L. 2020, L’ipogeo etrusco di Torricchi a Volterra, «Studi Classici e Orientali», 66, 1, 277-299.
Taccola E., Olivito R. 2015, Hand-free Interaction in the Virtual Simulation of the agora of Segesta, «International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences», 40, 5, 31-36.
Taccola E., Olivito R., Albertini N., Baldini J. 2021, Il santuario di Punta Stilo a Kaulonia: creare, analizzare e comunicare il dato archeologico con le moderne tecnologie digitali, in Gli altri Achei: Kaulonia e Terina, contesti e nuovi apporti. Proceedings of the 57th International Study Conference on Magna Grecia (Taranto 2017),.